Every image is a blend of vision, creativity, and artistry — a philosophy that underpins Eamon’s approach to photography.
Film, Then Photography.
Before committing fully to photography, Eamon spent several years immersed in film production, working on major blockbuster projects with studios including Marvel and Disney. That experience shaped a cinematic mindset, developing an instinct for visual storytelling built around sequence, emotion, and intent.

UK-based, Eamon combines creative studio work with trackside photography, working across two distinct yet complementary disciplines.
Eamon focuses on story-first imagery, prioritising people, pressure, preparation, fine detail, on-track intensity, and the wider atmosphere of motorsport. The work explores artistic and creative ways to communicate speed, discipline, and the courage required to operate these machines at — and sometimes beyond — their limits. The intention is not simply to document action, but to reveal the human narrative behind it.

Those lessons continue to guide the work today, influencing how each frame is composed with purpose, mood, and precision.
Seeking greater creative independence, Eamon eventually purchased a first camera and began experimenting with flash photography in a studio environment. What began as creative exploration developed into a full-time practice and now forms the foundation of professional work.

Entry Into Motorsport..
Eamon’s introduction to motorsport photography came through the co-founding of an endurance karting team, We Racing. This provided an opportunity to explore a more fluid, reactive photographic style, contrasting with the controlled precision of studio work, while documenting the team both on and off track.




As his passion for motorsport grew, invitations followed to cover events at local circuits. The sound, energy, and unpredictability of the environment opened up a new creative direction — one that quickly became central to the work.
An invitation from We Racing’s ambassador driver to attend a MotoGP weekend at Silverstone proved pivotal. During that weekend, Eamon was introduced to riders and teams competing at a higher level, including members of the Army Road Racing Team, leading to opportunities covering British Superbikes and other national-level events.

While delivering work from these weekends, he discovered Pitlane News through a photography competition and entered without hesitation. That moment marked the beginning of involvement within a wider motorsport media network.


Now part of a growing motorsport media family, Eamon continues to develop both creatively and professionally. With ambitions to cover a broader range of motorsport disciplines, he remains focused on finding fresh perspectives, stronger narratives, and more compelling ways to tell the stories unfolding at each event.









